Pattadakal

Temple de Virupaksha Dvārapāla, gardien du temple de Virupaksha

Located at about fifteen kilometers of Badami, the village of Pattadakal, offers, just like that of Aihole, an extraordinary whole of temples set up by  the  Chalukyas kings of  Badami. The monuments present an astonishing variety of styles, which tends to show that sculptors came from various regions, sometimes remote, to exert their talent here.

The temple of Kada Siddheshavara, low in hieght ,is of the  8th century.The temple of Jambulinga, also of the 8th century, has the characteristic to show, has the shikhara, medallion of a dancing Shiva, accompanied by Pārvatī

Temple de GalaganathThe temple of Galaganath is in front of the precedent. Its  shikhara with the curvilinear edges, is in  the northern  style  (Nagara style), is surmounted by a stone ball (amālāka), like the deul of Orissa. On the southern wall, a beautiful relief is detached from a wall with jali; it represents Shiva killing the Andaka demon.

The temple of Sangameshvara, unfinished and dating from the beginning of the 8th century, with its  typically dravidien style , is  beautiful.

Beau Nandi du temple de Virupaksha The temple of Virupaksha, , constitutes the centre piece of the visit of Pattadakal. Virupaksha is the name which is locally given  to the shape of the God  Shiva  and this temple, splendid synthesis of the Chalukya and Pallava styles , was built to commemorate the victory of the Great  Vikramaditya II against Pallava of  Kanchipuram.  The external walls and the porches carry large statues carved with a wealth of details. The pillars of the mandapa are nicely worked mythological scenes of Rāmāyana and Mahābhārata

Relief du démon Ravana secouant la montagne des dieux, temple de VirupakshaThe temple of Papanatha on  the edge of a  river,  a hundred meters of the enclosure of the Virupaksha  temple which one leaves by a porch that the  small a gopuram surmounts. Built at the end of the 7 th century, it is dedicated  to God Shiva ,  richly decorated  with many low-reliefs and planks. The southern wall, in particular, tells episodes of Rāmāyana. "traditional"  as shown by, Gajalakshmi, the dvārapāla, and the Naga .

The temple of Mallikarjuna, whose style appears completely similar ,  remained unfinished because of the  death  of the king.

The pillars and ceilings of the  Chandrashekara Temple   and  the Kashi Vishveshvara Temple  describe  mythological episodes.